11 Dez 2017
Abertura de Portas: 22h00
Início: 22h00
Entrada: 18,00€

A HELL XIS AGENCY em colaboração com a MAD TOURBOOKING e a HFMN CREW tem o prazer de trazer de volta a Portugal os míticos Napalm Death para a realização de duas datas exclusivas em Lisboa e no Porto.
Os concertos estão marcados para a sala 2 do Hard Club e para o RCA CLUB nos dias 10 e 11 de Dezembro respectivamente.
As bandas convidadas serão os DEATHRITE e os Besta.
Os bilhetes estão à venda nos seguintes locais; – Venda Online
Clockwork Store – Cais do Sodre
Glamorama Rockshop – Picoas
Loja Cenas – Leiria
Fica atento ao nosso facebook, todas as informações serão aqui disponibilizadas.


Grindcore / Metal
Membros da banda
Mark “Barney” Greenway – Vocals
Shane Embury – Bass
Mitch Harris – Guitar / Vocals
Danny Herrera – Drums
Birmingham, UK
Companhia discográfica
Century Media
This is the official NAPALM DEATH Facebook page.
What makes NAPALM DEATH so special? Well, let’s think back 30 years: Would you have thought that a grindcore band from Birmingham would ever make it into the official album charts with some of the most infernal noise ever put on tape, enter the Guinness book for the shortest song ever recorded or appear in a prominent UK TV series named “Skins”? That it would be part of an Alice Cooper hosted episode of BBC’s Never Mind the Buzzcocks to guess from a couple of look-alikes who is the singer in NAPALM DEATH? Could you have ever imagined a down-to-earth lad named Mark “Barney” Greenway, a soccer fan (Aston Villa F.C.), vegetarian, prog metal freak and one of music history’s most renowned representatives of “cookie monster” style vocals would become a personality within the extreme music realm that is not about beer-drinking and hell-raising but synonymous with sounding hard while being smart? Well, that is where we are at now. From filthy, sweaty rehearsal rooms and tiny clubs and pubs NAPALM DEATH has conquered every music festival you can think of and toured through corners of the world a lot of bands would not even dare to tour while becoming famous for combining brutal music with political engagement and ethical values beyond the usual cliché of sex, drugs & rock n roll. And, as most fans will be delighted to hear, this remarkable story is far from being over…

Fourteen albums in (not counting the cover-platter “Leaders…Part 2”) three decades and NAPALM DEATH remain the leaders of the grindcore / death metal world, once again showing the upstarts how it’s done. Not content to simply wear the term “legendary,” the band has once again raised the bar on what it takes to remain at the top of the heap with its highly anticipated new album “Utilitarian”. While their past roster reads like a who’s who of extreme metal royalty, including Lee Dorrian (Cathedral), Bill Steer (Carcass), Justin Broadrick (Godflesh) and the late Jesse Pintado (Terrorizer) to name a few, it’s the current line-up of Mark “Barney” Greenway (vocals), Mitch Harris (guitars), Shane Embury (bass), and Danny Herrera (drums) that has kept the legend alive and seething. “Utilitarian” is the follow-up to the band’s much lauded 2009 album, “Time Waits For No Slave”, and sees the quartet return in expected raw and uncompromising fashion.

In the wake of a gruelling international tour schedule for “Time Waits For No Slave”, NAPALM DEATH finally got down to writing for “Utilitarian” in early 2011. It was recorded over the course of the year at Parlour Studios in Northamptonshire, UK with producer Russ Russell monitoring the mayhem, finally mixed and mastered in November. The end result is vicious and chaotic, but Greenway notes that “the ever-present darker, more ambient side of Napalm (references: Swans, My Bloody Valentine, Birthday Party et al) has now gotten faster, too – or at least the tempo of it varies so it’s not just exclusively slow and mournful. This gives it an extra, obtuse dimension. And hopefully people get lost in the frantic thickness of it.”
“Utilitarian” runs the gamut from straight-ahead violence and force to pure, undiluted NAPALM DEATH-induced chaos that overall provides a well-rounded bloodletting that’s not for the weak and also confronts the listener with such surprising moments as the sax passages by none other than John Zorn on ‘Everyday Pox’ or choral-like clean sections in ‘Fall On Their Swords’ or ‘Blank Look About Face’. The latter is a perfect bridge to the album’s outspoken lyrical content as it viciously attacks politicians’ opportunistic talk that according to Greenway only knows one goal: “Say anything to tame a crowd – whether it is sycophantic praise, bullshit morality or rabble-rousing power-speak – as long as they can cling on to their place in the hierarchy.”
True to the band’s tradition of spitting gallons of verbal venom, “Utilitarian” is an in-your-face razor-edged platter of social, cultural and political commentary. Far from being a placard-waving “cause” band, the quartet offer up personal views on the degeneration of society (‘Everyday Pox’), the arms trade (‘Fall On Their Swords’), sexual and gender expression (‘Gag Reflex’), the environment (‘Order Of Magnitude’) and aspects of everyday life for the common man (‘Collision Course’, ‘Think Tank Trials’) revealing Barney’s understanding of what to do with your life: “We have a finite period of existence that is all too easy to waste, and ultimately we all deserve happiness and contentment.” The bottom line is: Think for yourself, liberate yourself and don’t end up feeding the machine that all too willingly eats you up.

Ultimately, NAPALM DEATH are special because they never sacrificed their ideals for anything mundane, will continue pleasing their fans with a stunning record named “Utilitarian” and ceaseless touring activities in support of its release while provoking world leaders with all the rage and criticism you can squeeze into a song. Extreme music’s raised fist is back!

Localização atual
Birmingham, Uk
Press contact
[US] Ebony Jeanette

[EU] Arne Jamelle

Booking agent
Marc @ MAD Tourbooking
Ian @ Hidden Talent
Dan Rozenblum



Death Metal
Companhia discográfica
Prosthetic Records
new 7 inch “where evil arises” out on april 7th
Booking agent



Grindcore / Punk
Membros da banda
Rick Chain
Paulo Rui
Middle Of Nowhere
Companhia discográfica
Ragingplanet / Black Embers Records
Breve descrição
Escaping from the dark places in the imagination, Portuguese hellions BESTA take inspiration from horror movies and blend them into a frantic, feedback-laden mash-up of punk-rock and old school grindcore.

With four confrontational releases since 2012, and shows alongside EYEHATEGOD, CATTLE DECAPTIATION, MOB 47, CRYPTOPSY, POSSESSED, BRUTAL TRUTH, 2014 will see them pay tribute to the master of horror with new record “John Carpenter”

BESTA features members by bands such as If Lucy Fell, We Are The Damned and EAK. Besta paved their way by playing with a variety of styles within the heavy music scene such as Eyehategod, Cattle Decapitation, Massgrave, Mob 47,Warcollapse, Nunslaughter, Possessed, Brutal Truth, Human Cull and countless others, as well as solid appearences in festivals such as Obscene Extreme, SWR Barroselas or Bracara Extreme Festival

BESTA – Ajoelha-Te Perante A Besta – CD – 2012
BESTA / TEETHING – Spilt – 2012
BESTA – Herege 2013
BESTA / ENGLEMAKER – Spilt – 2013
BESTA – Mongoloid – digital single – 2013
BESTA – John Carpenter – 2014
BESTA / THANATOLOGY – Split – coming October 2014