THE AMITY AFFLICTION

DEATH REMAINS + THE YEAR

15 Jun 2016
Abertura de Portas: 20h00
Início: 20h30
Entrada: 15,00€

THE AMITY AFFLICTION

Data de início
Começou a 2003
Género
Metalcore/Post-Hardcore
Membros da banda
Joel Birch- Vocals
Ahren Stringer- Bass, Clean Vocals
Ryan Burt- Drums
Dan Brown- Guitar
Naturalidade
Brisbane, Australia
Companhia discográfica
Roadrunner Records
Breve descrição
Our new album ‘Let The Ocean Take Me’ is out now
Biografia
Returning with their fourth album, Let The Ocean Take Me, The Amity Affliction have never sounded more vital. Urgent, aggressive, catchy, and diverse, it pushes their signature sound to the next level, providing a riveting soundtrack to the earnest admissions of vocalist Joel Birch, giving their diehard fans the album they both demand and deserve. “We’ve always been in this for the long haul, and we always want to keep getting better,” states Birch. “We toured for five years around Australia almost non-stop before anyone even really noticed us, and then with each of our records our following seemed to double. That’s really humbling, because we never set out to be ‘successful’ in this way, and our fans are really important to us, and we’re just going to keep writing the best songs we can.”

Formed in 2003 and comprised of Birch, clean vocalist/bassist Ahren Stringer, drummer Ryan Burt and guitarists Troy Brady and recent addition Dan Brown, the band have steadfastly refused to alter their sound to accommodate current fads. However, with each successive release they have built upon this, and Let The Ocean Take Me is the biggest, richest, and most sonically varied record the band have delivered. “We’ve always strived to write songs that stick in your head and punch you in the face at the same time,” says Stringer. “That’s what we do, and I know it’s such a cliché to say going into a new record you want your heavier parts to be heavier and your catchier parts to be catchier, but that is what we always want to do. However, that means nothing unless the songwriting is the best it can be, and I think on this record we’ve achieved everything that we set out to.” Both Birch and Stringer credit this in part to Brown, formerly of Melbourne bruisers Confession. While the four core members have remained consistent since prior to tracking 2008’s Severed Ties, and Brady and Stringer have been the principal songwriters, each time they have entered the studio it has been with a different second guitarist, and all agree that Brown has brought something special to the band. “It’s good to have someone fresh to bounce ideas off other than a producer, and Dan brought a lot of heaviness with him but he also really knows melody and harmonies, and that brings out the best in us.” Likewise, the combination of producer Will Putney (Winds Of Plague, Upon A Burning Body) and tracking the record at Brady’s Evergreen Studios in Brisbane contributed to a positive atmosphere conducive to performing at their very best. “Will is a down to earth guy, and really on the same level as us musically, having done this shit for a long time. He’s our age as well, and it was like recording with a friend, and the whole time we were in there we were really relaxed. In fact sometimes it felt a bit surreal! We’re used to going to the States to record, and it often felt like we weren’t recording an album at all because we were close to home and everything was so chill, and that made the experience so much better for us. The record that came out of that process reflects that.” On “Pittsburgh” the band adds an extra dimension to their sound with the inclusion of a children’s choir, drafted from a local high school. “We’ve always wanted to include something like that, and as we were writing this song the section just had an eerie vibe to it, and we felt the choir would take it to another level. It turned out amazing, the kids came in for a day and sang and just blew us all away.”

For Birch, Let The Ocean Take Me is by far the most personal album to date. Already well known for his frankness in eloquently communicating his struggles with anxiety, depression, and suicide through his lyrics, a near death experience during the 2013 Warped Tour brought things into sharper focus for him. While in Pittsburgh, the vocalist suffered a seizure that could very easily have killed him had he gone undiscovered. “It was a culmination of several things, but the doctor said the main one was that I had acute alcohol withdrawal seizures. I stopped breathing, turned blue and my heart stopped beating, and if it had happened where no one would have seen me for ten minutes I wouldn’t be here now. The doctor told me if I kept living like I was then I risked severe brain damage, or death. Having to message my girlfriend back home on the other side of the world to tell her what happened made me realize just how unfair it was of me to treat myself that way, without thinking of how it affected others.” Taking responsibility, Birch knows it is not just his loved ones that he was mistreating with this behavior, but also the legions of fans that follow the band. “I’ve always been pretty vocal that people in positions of power – as anyone who is in a band that has passionate followers is – need to affect positive change. In being so self-destructive I was disregarding my own message, and it was time to start listening to that.”

Several songs on the record deal with the event itself and the thoughts and feelings it stirred up, though perhaps none more pertinently than ‘Pittsburgh’, which depicts the helplessness he felt once revived. “When I was in the ambulance I was questioning what am I doing? I’m stuck with this and can’t overcome it. The song captures that, it’s about feeling trapped in anxiety and depression and trying to find an escape, but it’s the wrong escape. “FML” also comes from that situation, and is about really trying to find a positive in my life again, and writing these songs was a very cathartic process, but I’m terrified of people listening to them and reading these lyrics because they’ll know exactly what I’m thinking, I’m hiding nothing. With Chasing Ghosts it was a case of this is a record for you – this one’s for me, because I need to exorcise these demons.” While Birch is understandably appreciative of the profound connection his music makes with their fan base, with the tracks “Don’t Lean On Me” and “Give It All” he addresses the pressure some place upon him. Regularly receiving emails and letters from fans struggling with some of the same issues and looking for guidance he finds himself in a difficult position, and one that needs acknowledging. “I’ve actually written an open letter for everyone to read when “Don’t Lean On Me” comes out, because I really want to make sure that kids don’t take it the wrong way. I hope that it comes across as an informative song about the consequences of them turning to a person struggling with the same problems as them, because that’s the intention behind it. The album title comes from that song too, from the line ‘just hold me in your heart and let the ocean take me’. It has a literal meaning for me, because I live at the beach and if I’m not feeling very well mentally it’s so easy to go for a surf and a swim, and I always feel much calmer and happier afterwards. It’s like let that take me. I sincerely want all these people that are feeling depressed and feeling fucked to find their way through it all, but at the same time I want my own space. I’m going through it as well, and they need to give me that time to myself.” However, Birch is not about to compromise his art or integrity by moving away from such subjects. “Really, it’s a blessing and a curse. I love that my lyrics touch people, but all these kids think they know me because of that connection, and that’s why they think it’s appropriate to start a dialogue. But, I’d rather be writing honest music and have that as a problem than be writing meaningless tripe.”

Regardless of such struggles, right now the band are collectively in the best headspace they have ever been in, and looking ahead the future is one filled with positivity. “We were in a better place going into making this record, and coming out of the studio with an album we’re all so proud of has only elevated that,” states Stringer. “It’s such an overwhelming feeling sometimes when you listen to a song you worked so hard on and go holy shit, we made that from scratch. It’s a feeling you can’t get from anything else, and that applies to every song on Let The Ocean Take Me. With that under our belts we’re all just looking ahead right now, we’re excited for what’s next, and I feel like the sky’s the limit.”
Diretor-geral
Jaddan Comerford & Caleb Williams (WAU Management)

Fotografias

DEATH REMAINS

INFORMAÇÃO DA PÁGINA
Data de início
Fundada a 2010
Género
Metal
Membros da banda
Barry O’Connor (Vocals)
Marc Yacas (Guitar)
Eljay Lambert (Guitar)
Luke Jackson (Bass)
Spencer Finn ( aka Spenny D) (aka Spendog Millionaire) (aka 50 Spence) (aka Speezleberry) (aka Spen Diesel) (aka Show Piece) (aka Spenny Delight) (Drums)
Naturalidade
London
Companhia discográfica
In At The Deep End Records
Breve descrição
New album ‘Destroy/Rebuild’ coming 2016.
Descrição longa
ALBUM REVIEWS:

Rocksound – 8/10 “What defines this band is emotional honesty. The tracks are dynamic and fresh, reminding us that great metal albums can be both furious and melodic.”

Planetmosh.com – 9.5/10 “STAND.FIGHT.BELIEVE is a powerful album filled with powerful songs and powerful performances: each of the five members performs with exemplary skill, passion,
precision and ferocity.”

Rushonrock.com – 8/10 “This album is a nod to a painful past and a glorious affirmation of the future. Death Remains have made a record that suggests they’re in it for the long haul.”

Kerrang – KKKK “Death Remains hit you square in the jaw like a sucker punch from oblivion.”

Turntheradiodown.com – 8/10 “Death Remains have fashioned a fresh take on the metalcore sound that breathes new life into a genre that has been stuck on auto-pilot for far too long. The future of British metal is safe in these hands.”

LIVE REVIEWS:
Metal Hammer 8/10 – “Within seconds of ploughing into their set, the crowd has taken a step back for the moshpit. With neck snapping riffs spiralling out into the epileptic light show, these lads show real promise.” (Supporting Heart Of A Coward).

Kerrang KKKK – “There’s little pressure on openers Death Remains, whose plucky poundings prove they belong here!” (Supporting Scar The Martyr).

Getyourrockout.com – “They march onto the stage and tear Islington a new one. These guys are bruisers, and Metalcore bruisers to boot. I’ll give you this for thought. I was about to interview Sepultura and I hesitated cause I wanted to see more of these guys.” (On tour with Sepultura).

Themidlandsrocks.com – “With more explosive material than a North Korean firing range, songs like ‘Work Sleep Repeat’, ‘Blood Brothers’ and their demonstrative closing number ‘The Northern Line Massacre’ meant polite conversation was near impossible at The Library as everyone got sucked into the mayhem.” (On tour with Sepultura).

Roomthirteen.com – “Track’s off of their debut album ‘STAND. FIGHT.BELIEVE’ sounded absolutely devastating. They claim to be injecting life into the British Metal scene, and on tonight’s evidence it is clear that the needle is primed and ready to penetrate the skin.” (On tour with Sepultura)
Biografia
Releasing their début album ‘Stand.Fight.Believe’ to critical acclaim in 2013 Death Remains have built quite the following and reputation for their energetic live shows and relentless style of metal.
Now with the imminent release of their second studio album, ‘Destroy/Rebuild’ in 2016, they have their eyes firmly set on world domination.
Localização atual
London
Diretor-geral
James@svrmgmt.com
Influências
LIFE
Interesses da banda
Touring.

Fotografias

THE YEAR

Members: Johnny Disorder – Vocals // Rudwolf – Guitar // Kitz Afonso – Drums // BP – Bass // Phil – Guitar
Genre: LIFECORE

Fotografias

comentários